"My son's baseball game is tomorrow," I hear Kazu say on the phone. "It's the first game of the season without the sixth graders. He's starting. Can you be there?"
"Of course," I say. "Definitely. What time?"
Kazu tells me the game will begin at 10:30, and that his wife will pick me up at 10am the following morning.
"Great," I tell him. "I'm looking forward to it."
I set my alarm for 9am because one hour is plenty of time to get ready. Add to this, sleep and I do not get along of late so I want to sleep in as late as possible. In my dreams on Saturday morning there's a noise, a buzz, and then a siren. I wake up groggy and realize my phone is ringing.
"Hello?" I say, trying not to mumble. I hear Mika's voice on the other end. Kazu's wife is calling at ... 8:30?? So much for sleep.
"Did I wake you up?"
"No, of course not," I lie.
"I'll be there in 20 minutes."
Huh? Did I hear her right? I rub my eyes as if this will wake me up. That means she'll be here shortly after 9am. What happened to 10am?
"Got it," I say and panic.
"See you soon," she chirps and hangs up.
An hour is plenty of time to get ready but 20 minutes is not. I rush through my shower, throw on something clean and look for the bottle of tea I thought I left sitting on the coffee table the night before. I see Mika's car outside, pulling into the back parking lot. She's early. (Of course.) I grab my bag, hoping everything I need will still be inside and rush out the door.
I follow her in my car through winding mountain roads climbing higher and higher into the hills. I've not been to this part of Ofunato before. It's a good thing I'm not trying to find this place on my own. I'd be lost for hours.
We arrive at the baseball field and join a group of mothers already watching the boys at batting practice. I notice the mothers are all in blue. There must have been a memo. Team colors. I'm in black. Oh well. We exchange our good mornings. There's a lot of buzzing, mothers chit-chatting in twos and threes. I stand over to the side watching the two teams playing. One of the teams has a large cheering section. The mothers all in purple t-shirts (they definitely had a memo) chanting something I don't quite understand. I marvel at their rhythm, that everyone knows the melody, that they seem to know what to sing when. Pop fly caught? There's a chant. Strike out? Something different. Base hit? A combination of cheering and waving and a lyrical sing-song I can't make out. These moms are serious about cheering.
I walk back over to the moms and say, "I have a question." They all look up. I point to the moms in purple and ask, "Do we have chants, too? Are we going to cheer?" Some giggle, others nod, while Mika says smiling, "Sort of. But there aren't enough of us to make a lot of noise. We do what we can though, right?" She turns to ask the moms. More heads nod.
"Amya-san, You can cheer with us," a young mother I've not met before tells me.
"Well," I start, "I would, but," and here I tell stories about cheering American-style. We boo, hiss, toss things onto the field to show our displeasure, make fun of the players on the other team, jeer our own when they make an error. "Remember, I'm a Boston Red Sox fan. We're maybe the worst of the bunch. We take baseball seriously. Our cheering gets nasty. I don't know that you want me cheering. I might yell at the ref or something."
Instantly they begin to talk. I hear "how different" and "yelling at the ref?" and "we can't boo" and I take it all in, smiling. In the end, I join the mothers in the cheering section, vowing not to make a fool out of myself or Kazu (who's coaching today) or the other moms. I'm handed two plastic bottles filled with little plastic marbles. "Use these," I'm told by another mother I don't know. I agree and sit down on the concrete bleacher seat.
I don't know why I agreed to watch Kazu and Mika's boy play. Our team stinks. We'll surely lose today (again) and this will put Kazu in a bad mood for the rest of the weekend. Indeed, by the bottom of the third inning we're down five to one, our pitcher having walked every other player, and then thrown enough wild pitches for them to score. I regret my decision to be at this game and start planning my exit.
Then the winds change direction, the sun shines down on us without burning our skin, and we can almost hear angels singing. There are moments when bad luck turns to good, and I'm about to witness one right here in a baseball field tucked away in the mountains of Tohoku. I see Kazu running out to the third base ref. I take away from Kazu's pointing and several boys running that he's switching pitchers. Not a bad idea, considering at this rate we'll surely lose. Again.
The pitcher on the mound is a boy so small and so short that I immediately question Kazu's decision. There's no way this little thing can throw a ball with speed and accuracy. I look down at the small boy and picture myself picking him up like I used to with my son, at first heavy but then remarkably light once he's in my arms. I watch the boy throw a few practice pitches and am pleased I didn't speak my thoughts about his ability to anyone around me. The boy can throw.
He strikes out the first at bat, and here the magic begins. The ground ball to the short stop is caught, and the pitch thrown to first base is perfect. Another out. We all cheer, standing up in unison, banging our bead-filled bottles together making quite the racket. The next batter hits the ball high to right field. The mothers and I collectively cringe. None of our outfielders can catch a fly ball. We follow the ball with our eyes as it lands into the glove, and jump up again cheering wildly. This change in pitchers kick-started a series of hits, homeruns (including a grand slam by Kazu and Mika's boy), errors by the other team, and at the end of the game we had won 16 to five. Our team rocks.
All throughout the game, the mothers cheered and called out, their timing perfect and their voices in complete unison. That whole "sort of" comment from before was total crap I now realize. One of the dads calls out something into his yellow megaphone and the moms repeat it perfectly each time. We, too, have special cheers for certain acts of bravery from the boys on the field. I don't know these of course, and so I just bang my bottles together and often one time too many, turning heads asking with their eyes "Who's the one that's off beat?" I decide I'll just try to end my bottle-banging a few beats early in the hopes I don't make a bigger fool out of myself.
Later that night I ask Kazu about his decision to switch pitchers. "Why didn't you just use the second pitcher from the beginning? That first pitcher cost us five runs in three innings. You saw how well that small boy pitched. I don't get it."
"Well," Kazu says, taking a long drag on his cigarette, "the first boy is older."
Here we go. Age trumps merit. I'm about to ask, "You'll put a lesser pitcher in because he's older, even if it means you might sacrifice the game?" but don't. The serious adherence to the concept of hierarchy here in Ofunato strikes again (no pun intended). I find myself amazed by the way social rules control behavior, especially as I compare Tohoku's to Tokyo rules. It's as if I have two different lives here in Japan; Ofunato and Tokyo could not be more different. It's not that Tokyo lacks a system of advancement based on hierarchy. Certainly the rise to the top is in some part based on age. There is, however, an understanding in Tokyo that merit matters. Good employees, even younger ones are promoted. In Tokyo the old system of age before ability is on its way out. In Ofunato, there's no attempt to embrace this system of merit over age.
The good news is these pockets of cultural shifts that occur between regions keeps me on my toes. I dare not assume anything in Japan. The bad news is, I always feel two steps behind. Just when I think I've got life in Tohoku figured out, I encounter a new rule or a previously unidentified norm. I tell myself all this uncertainty keeps me young and fresh. Most days I believe that. On Saturday, I focused on how proud I was of those boys, and of Kazu, and of the cheering mothers. I'll work on identifying more previously unheard of Tohoku rules later.
Showing posts with label Japanese youth. Show all posts
Showing posts with label Japanese youth. Show all posts
Monday, August 19, 2013
Sunday, June 9, 2013
The Other Election
It's hard to write about this topic without sounding like I'm mocking the group, its founder, and the girls and women. Observing this phenomenon as an anthropologist might, my goal is to report without casting judgment. On this particular subject objectivity is hard to muster up. Feel free to look for a tone in what I write. Cloaked as it is (might be?) here is a side of Japanese culture I struggle to understand.
Let's first define the topic. AKB48 is a group of young women and girls who were handpicked by Yasushi Akimoto. In his own right, Akimoto, a lyricist, a television writer and producer is a genius. Seemingly out of nowhere, he created AKB48 (AKB is short for Akihabara--Tokyo's tech district also known for its maid cafes and socially awkward men--otaku). Now the highest grossing group in Japan with a ridiculous following by men and women, they're everywhere: on television, documentaries, concerts, commercials, and the annual election. To be sure, there's drama. There's the sassy one, the cute and demure, the ones who break rules and are punished, rivals, competition, cat fights, those who pull off the not-so-bright act (?) with ease, the scary one, the sex pot, and everything inbetween. Put them together and they make for good television. Or so Akimoto says.
The following they have proves him right. An idol group like no other, these women and girls have a major cult following. One which, to date, I simply do not understand.
The highlight of the year is the election. Let's call it what it is: a glorified popularity contest. For weeks building up to the big event, commentators spend time outlining their predictions--who will win and why. From what I understand, the winner is picked by votes. Possibly (?) the votes are cast by CDs bought? That part is unclear. (I haven't bothered to check.) The election, called just that, was last week. The winner? The mouthy one. She gets the middle spot as they sing and dance, the coveted position.
Except that the mouthy one was demoted last year to a regional, tier two group as punishment for something I forgot to follow. Her victory means she gets to come back to Group A? Akimoto will decide, I'm sure.
The election is one major event for AKB48, the janken (rock-scissors-paper) championship is another. Both of these shows get ratings that would make the Miss America pageant cringe with envy. The janken championship is just that--they compete one-on-one with a quick game of rock-scissors-paper. What skill is involved in a game of rock-scissors-paper continues to elude me (mathematical probability?) but the girls vow to win showing up in dresses and costumes befitting a group aimed at attracting the socially-challenged.
I applaud Akimoto's genius and talent, that he figured out this is exactly what Japan needs, delivering in ways that has shocked us all. The spin-off groups throughout Japan are not as popular, only because they're AKB48 wannabes, not quite there yet, not quite ready for the big stage. There's talk of additional spin-off groups in Taiwan and Indonesia, but I honestly have not been able to find the time to confirm, much less follow this.
I wish the sassy one well. She'll have another year of guaranteed coverage unless (until?) she does something to piss off the big man again.
Without casting judgment, let me conclude by saying this: I don't get it. Akimoto's brilliance, yes. It's hard to miss. Hard to ignore. The rest of it--the hype, massive following, and popularity--it's a mystery.
Let's first define the topic. AKB48 is a group of young women and girls who were handpicked by Yasushi Akimoto. In his own right, Akimoto, a lyricist, a television writer and producer is a genius. Seemingly out of nowhere, he created AKB48 (AKB is short for Akihabara--Tokyo's tech district also known for its maid cafes and socially awkward men--otaku). Now the highest grossing group in Japan with a ridiculous following by men and women, they're everywhere: on television, documentaries, concerts, commercials, and the annual election. To be sure, there's drama. There's the sassy one, the cute and demure, the ones who break rules and are punished, rivals, competition, cat fights, those who pull off the not-so-bright act (?) with ease, the scary one, the sex pot, and everything inbetween. Put them together and they make for good television. Or so Akimoto says.
The following they have proves him right. An idol group like no other, these women and girls have a major cult following. One which, to date, I simply do not understand.
The highlight of the year is the election. Let's call it what it is: a glorified popularity contest. For weeks building up to the big event, commentators spend time outlining their predictions--who will win and why. From what I understand, the winner is picked by votes. Possibly (?) the votes are cast by CDs bought? That part is unclear. (I haven't bothered to check.) The election, called just that, was last week. The winner? The mouthy one. She gets the middle spot as they sing and dance, the coveted position.
Except that the mouthy one was demoted last year to a regional, tier two group as punishment for something I forgot to follow. Her victory means she gets to come back to Group A? Akimoto will decide, I'm sure.
The election is one major event for AKB48, the janken (rock-scissors-paper) championship is another. Both of these shows get ratings that would make the Miss America pageant cringe with envy. The janken championship is just that--they compete one-on-one with a quick game of rock-scissors-paper. What skill is involved in a game of rock-scissors-paper continues to elude me (mathematical probability?) but the girls vow to win showing up in dresses and costumes befitting a group aimed at attracting the socially-challenged.
I applaud Akimoto's genius and talent, that he figured out this is exactly what Japan needs, delivering in ways that has shocked us all. The spin-off groups throughout Japan are not as popular, only because they're AKB48 wannabes, not quite there yet, not quite ready for the big stage. There's talk of additional spin-off groups in Taiwan and Indonesia, but I honestly have not been able to find the time to confirm, much less follow this.
I wish the sassy one well. She'll have another year of guaranteed coverage unless (until?) she does something to piss off the big man again.
Without casting judgment, let me conclude by saying this: I don't get it. Akimoto's brilliance, yes. It's hard to miss. Hard to ignore. The rest of it--the hype, massive following, and popularity--it's a mystery.
Wednesday, March 20, 2013
Spring Baseball
-->
On this first day of spring, I am standing outside watching
two elementary school teams play baseball.
It’s freezing, grey skies threatening to break open pouring down buckets
of what will surely be cold rain. In the
baseball field before me boys aged eight through twelve battle each other with
skill and strategy. Proud parents stand
around in what I can only describe as a combination of holding vigil and
controlled cheering. Every inning
brought on new questions and insights.
Today I’m an observer of an entirely new phenomenon: baseball.
How is baseball a new phenomenon? I’ve grown up playing it, I’ve gone to games,
I have my opinions on which team I’m loyal to.
Today’s baseball game was, simply put, different. What I have to say about these two hours
would make for an interesting thesis, my cultural observation radar picking up
signals from all directions.
First, I notice the difference in the coaches. The one shouting instructions to the team I’m
here to cheer on and watch is a friend.
His voice carries in the plastic megaphone, and I hear almost a
gruffness in his voice. It’s not that
he’s angry. It’s more that he’s being, I
suppose, commanding. Like a father you
dare not disobey, the boys take every command with a hearty “Yes!” as if they’re
honored to be spoken to. The coach for
the other team is almost kind, contrasting the two styles in a way that surely
no one will miss. He compliments the
boys, cheering them on, encouraging, throwing in a suggestion here and
there. My friend does not
compliment. Neither does he out right
scold, but he is not at the moment exuding “nice.”
I ponder this. On one
hand, even those who are not parents should be able to see the benefit of
encouraging children. We thrive with
encouragement. The difference between a
kiss on the forehead followed by a “good job” and “the look”, silently
admonishing while forewarning what might happen with mouthing back—these
personify child psychology 101. Kids
simply do well, better when encouraged.
I wonder why my friend, the coach on our team isn’t fuzzier with his
warmth.
But, I get it. Once
these boys reach middle and high school, there will be no warmth from their coaches.
I assume my friend is slowly working towards thickening the boys’ skin,
especially the older ones, so once they hit the rigid hierarchy of the real
world they will be prepared. I see the
coach’s point. The mother instinct in me
kicks in right away, and I want to say, “Let them be boys as long as they
can. They’re just kids.” The truth lies somewhere in the middle but
this is not my call to make.
Then there’s the difference in the make up of those of us
“in the stands.” Support for “their”
team is comprised of mothers. Only
mothers. I see no dads watching this game
today, even though it’s a national holiday.
Our team has more dads than moms.
This fascinates me. All of the
dads are out on the sidewalk chain-smoking, sure not to be on school property
lest they defy the sacred baseball field.
They’re standing or squatting off school property, their cigarette
smoking sometimes blowing towards us, and at other times away from us. The women are inside the green mesh wall
separating the field from the sidewalk.
We’re careful not to be too loud, but clap with every strike, hit, and
run scored by our team. We cluck quietly
with every walk offered by our pitcher, every successful base stolen by our
competition all the while making sure the boys don’t hear us. The dads on the other hand, all baseball
players themselves, call out to their boys.
At one point a dad behind me warns the third baseman (base boy?), “He’s
about to steal!” when the boy on second base is about to make a run for
it. Their voices half-scolding, “Come
on!” and half-complimenting, “Nice catch!” are silent only when the other team
does something well.
The mothers on our side all shivering with hands in pockets
wonder together what happened to yesterday’s sunshine and warm breeze. Soon we see two dads bring out long canvas
bags. I know what these are. We’re about to get wind protection. I’m secretly thrilled. Any barrier from the cold will be a welcome
relief.
Four of the dads erect an open-air hut—a gazebo without
walls—but then I see each dad take a long leg-pole holding up this canopy and
walk towards the head coach and the team.
The dads look as if they’re carrying Cleopatra herself as they march
over placing the protective cover over the men and boys. No relief for us, evidently. We’re only the moms.
I mention this only to say the coaches on the opposing team
are out in the open, standing on the sidelines with a constant stream of
comments to the players. The mothers,
however, are standing under a similar canopy-concoction. Protect your women, right? Of course our dads will value the comfort of
the coaches over that of the cheering mothers, myself included. We’re all here
for the teams, coaches and players alike.
You’re cold? That’s your
fault. Or so I imagine the dads’ reason collectively.
The boys themselves out in the field seem to be calling out
something to each batter in the box. I
can’t make out their words. I can’t even
tell if I don’t get what they’re saying because: 1). this is “baseball talk” which I don't speak, or 2). this is
yet another version of the local dialect, or 3). between those whose voices have
changed and others with higher ones there’s an octave difference making it
difficult to hear. Certainly it can’t be
me who doesn’t get it. Of course not. I assume it’s something similar to what I’ve
heard American baseball players say, their “Hey batter batter batter” which in
hindsight actually sounded more like, “Heeeeey, batabatabata.” I ask one of the dads later and he confirms
I’m close.
“The boys are saying, ‘Hey batter, hit it to me.’”
“Is it a taunt?” I ask.
“No, it’s not that.
Maybe a distraction. When you
hear that from seven different directions it can be a lot of noise to block
out. There are some teams where the boys
will say, ‘Hey batter, I’ll bet you can’t hit it to me.’ The coaches are supposed to stop that,
though.”
The other team didn’t call out the same phrase. Theirs stopped at “Hey” but here the chorus
of “Hey”s coming from every which direction at complete random intervals was distracting, even for me.
I could write much more about this day, but I’ll leave you
here, buzzing still with the calls of the boys, coaches, and dads ringing in my
ears.
Thursday, February 14, 2013
School Violence in Japan: More Questions Than Answers
Japanese news over he past month has been peppered with stories about the effects of school violence. A high school student committed suicide after repeated beatings from his team manager, and the womens' judo coach for the national team resigned after the athletes filed a mass complaint accusing him of violence. Unfortunately such stories are not new. I've often reflected upon multiple and similar incidents from my elementary and middle school days at times like this. In the end I'm left with more questions than answers.
It seems for those of my generation growing up, what is now being referred to as violence and beatings were more the norm in school. Coaches would routinely slap disobedient baseball players, kick legs, or throw buckets of water on them. I use baseball players only as an example. Back in our day, it was more unusual for coaches to not "train" by means of a shove here, a smack there.
"It instilled in us a sense of competition," one friend tells me. "It was embarrassing and it hurt. I wasn't going to let my coach get the best of me so I tried harder."
I call Alpha Male, my favorite Japanese man in Japan who has an answer for everything and ask to meet.
"Sure I was slapped. Not punched, but slapped across the face. I didn't think of it as a beating. For me though, it wasn't the coach that did this but rather the older students. It was just part of life for us in high school. This is how sports clubs functioned. We got stronger. It pissed us off so we got back by practicing more than before. We got better."
I ask, "Why do some students commit suicide then? Don't the coaches know when to stop? Why was it not 'violence' for you but it is for these kids?"
"Students these days are taught they have options. 'If you try one thing and it doesn't work, you can try something else.' On the one hand, this is good. On the other hand, and don't take this the wrong way," Alpha Male looks at me sideways, "It's more of a western way of thinking. We weren't taught that growing up but kids these days are. When we were in middle and high school we just took it because that's how things were. Now, kids are taught more independence, freedom and that they can choose. It's good, but the educational system has changed into something not quite Japanese."
I ponder this. Multiple incidents from my childhood come to the surface, each competing for the "which is the worst" category. One teacher, someone I liked, routinely called up one boy to the front of the class, pulled him up by his sideburns and continued to judo-trip him while he cried and screamed for help. Half the class laughed, the rest of us sat stunned. He didn't do anything wrong. He wasn't a trouble-maker. One day it just started. How long did he go through this? All I remember is the announcement the teacher made out of the blue one day that this boy was diagnosed with diabetes. The "beatings" stopped that day, never to continue. I'm still baffled by what this teacher did, and why.
Another teacher mercilessly picked on a girl who moved into the community and into our classroom. She didn't bathe often. The teacher, with every opportunity would let her and the rest of us know she smelled, making her cry. Why do this? Is this a hint? It didn't work because it didn't change anything. Except that one day she didn't come back to school. We were told she moved away.
What was normal at one time in recent Japanese history is no longer. Feedback is consistent: Japanese education is to blame. People my age and older are disgusted by Japan's youth. "Spineless," and "Too opinionated" are two ways today's young are often described. Should we be adding to this "Can't take a beating"? I find myself confused.
It seems for those of my generation growing up, what is now being referred to as violence and beatings were more the norm in school. Coaches would routinely slap disobedient baseball players, kick legs, or throw buckets of water on them. I use baseball players only as an example. Back in our day, it was more unusual for coaches to not "train" by means of a shove here, a smack there.
"It instilled in us a sense of competition," one friend tells me. "It was embarrassing and it hurt. I wasn't going to let my coach get the best of me so I tried harder."
I call Alpha Male, my favorite Japanese man in Japan who has an answer for everything and ask to meet.
"Sure I was slapped. Not punched, but slapped across the face. I didn't think of it as a beating. For me though, it wasn't the coach that did this but rather the older students. It was just part of life for us in high school. This is how sports clubs functioned. We got stronger. It pissed us off so we got back by practicing more than before. We got better."
I ask, "Why do some students commit suicide then? Don't the coaches know when to stop? Why was it not 'violence' for you but it is for these kids?"
"Students these days are taught they have options. 'If you try one thing and it doesn't work, you can try something else.' On the one hand, this is good. On the other hand, and don't take this the wrong way," Alpha Male looks at me sideways, "It's more of a western way of thinking. We weren't taught that growing up but kids these days are. When we were in middle and high school we just took it because that's how things were. Now, kids are taught more independence, freedom and that they can choose. It's good, but the educational system has changed into something not quite Japanese."
I ponder this. Multiple incidents from my childhood come to the surface, each competing for the "which is the worst" category. One teacher, someone I liked, routinely called up one boy to the front of the class, pulled him up by his sideburns and continued to judo-trip him while he cried and screamed for help. Half the class laughed, the rest of us sat stunned. He didn't do anything wrong. He wasn't a trouble-maker. One day it just started. How long did he go through this? All I remember is the announcement the teacher made out of the blue one day that this boy was diagnosed with diabetes. The "beatings" stopped that day, never to continue. I'm still baffled by what this teacher did, and why.
Another teacher mercilessly picked on a girl who moved into the community and into our classroom. She didn't bathe often. The teacher, with every opportunity would let her and the rest of us know she smelled, making her cry. Why do this? Is this a hint? It didn't work because it didn't change anything. Except that one day she didn't come back to school. We were told she moved away.
What was normal at one time in recent Japanese history is no longer. Feedback is consistent: Japanese education is to blame. People my age and older are disgusted by Japan's youth. "Spineless," and "Too opinionated" are two ways today's young are often described. Should we be adding to this "Can't take a beating"? I find myself confused.
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