Showing posts with label radiation. Show all posts
Showing posts with label radiation. Show all posts

Wednesday, August 15, 2012

Peaches from Fukushima

There's simply no other way to put this.  No amount of money spent on advertising, neither on television nor in print, like these posters hanging in trains running through the Tokyo underground will ever convince me. 
And, I'm sorry about that.  But, and really, peaches grown in Fukushima?  An advertising campaign is supposed to make me go buy them?

They are grown with care.  The farmers in Fukushima "put our hearts and souls" into these peaches.  They're juicy and sweet.  So the posters tell me.  I'm sure they are grown with care.  I have no difficulty believing the farmers did everything in their power to pick the best, ripest, pinkest peaches to sell.  They might even be extra juicy.

But, and really, but they're grown in Fukushima.  People.  I can't.  I just can't. 

Can you really prove to me they're safe?  The radiation levels may have been measured and measured again.  I'm not actually coming out and saying I don't believe the results.  I'm just saying, again mind you, they're grown in Fukushima.

That the farmers in Fukushima need income I get.  That the farmers in Fukushima need hope I understand.  It's the getting from "wanting to help" part to "buying food raised in potentially radioactive soil" part that I have difficulty with.  This is why this ad blitz confuses me.  Do they really hope to change our minds?  My mind?

Here's the thing.  It is peach season.  And, white peaches here in Japan are something else.  There's no eating them without a towel in hand.  Juices drip down my chin.  They're practically messy they're so wet and full of pulp.  Peach season is summer.  Watermelon, barley tea, muggy weather, fireworks, mosquitoes, and peaches--this is summer in Japan.  That Fukushima is trying to be a part of traditional Japan, summer food, family fun, I want to help with this.  But, sorry.  Dear Farmers, I just can't do it.  I'll let you know if I change my mind.  'Til then.

Thursday, April 5, 2012

Granny Power

Friends of friends put me in touch with this woman, an amazing woman, and next thing I know, she takes me to Fukushima.  I'm at a temporary housing complex in Minami Soma.  Right on the outskirts of the nuclear zone, it's always cloudy when I'm there.  It's my third trip here.  My goal this time is to find hand-made items to sell in the US and Japan--the first steps towards helping people earn an income.  What awaited blew me away.

Enter gaijin girl (me), my host, and the housing complex chairman's wife, our local point of contact.  In a small room is a table with six grannies sitting on all sides.  Hanging on clothes lines on all four walls is the most delicate, beautiful, intricate origami creations I've ever seen.  I'm speechless.

I introduce myself, explaining my visit.  The grannies are not shy.

"You really want to take this back with you to America?"
"Yes, I do."
Several conversations take place at once, the gist of it being whether Americans "get" origami, will like what's made, how to get it there, etc.  Satisfied with the consensus they've reached (it's a go), one of the grannies asks my local host,  "Is it really okay for us to sell this stuff?  Won't we get in trouble?"
"No, you won't get in trouble.  Remember the socks that we sold over the new year?  We made money off that, too."
More side conversations.  The "hens clucking" image comes to mind and I smile.
"You're sure?" Another granny asks.
"Of course she's sure.  She's the chairman's wife.  If she says it's okay, it's okay."  They all laugh.  Cackle might be more accurate.
"So, I can take these?" I say, looking around at the various pieces of art hanging. 
"Sure.  Take whatever you want," I'm told.
I wander over to the various kusudama (intricately folded origami made into a ball) and decide to ask one more time.
"I can really takes these kudusama?  As many as I want?"
"Take them," the same granny says.
"You can have all the tama you want," another adds.  (Tama is singular; dama is plural.  Literal translation:  Ball.)
"I've got no need for tama," yet another granny says, and the room explodes with laughter.

Let me explain:  That sentence, literally translated, would read "I've got no need for balls."  As in those balls.  Kusudama balls, too, supposedly, but we all know what granny meant.

God forbid I would have to explain how a properly raised gaijin girl would know the Japanese word for "balls"  I decide to put my head down, face the floor, and keep my grinning and laughter to myself.  I swear.  These women are something else.

I walk around the room taking down one display after another, hauling them over to another table.  Soon I have a big pile.  I make arrangements to have them sent to the US to be sold in Boston at a Japan Festival sale in late April.



"Can you make more?"  I ask.
"Of course we can make more," I'm scolded.  Touche.  These women have nothing else to do.  Farmers' wives, they can't farm because of the radiation in the soil.  They sit together and fold one beautiful piece of work after another.  I vow to find a way to get these items to as many people as possible.

"Granny," I pause, "Can we take some photos?  I want to show people who you are."
"Oh no, you don't!" The most outspoken of them all gets up and marches over to the sliding door.  We all beg her to come out.  She doesn't.
"Just take the picture," the chairman's wife says.  We do, while hearing from behind the door, "Are you done yet?"  I have to ask another granny to turn around, so we can see her face.  How they can be shy after all the spicy talk from before is a question I can't answer.  That they use the masculine term for "me" when they speak is also noteworthy.  I like them.  I like their spunk.



I make plans to come back in May, after I return from the US. 
"I can't promise you how much they'll sell for," I caution.
"We don't care.  Just tell them about us."
"Not me, though," camera shy granny says.
"You, most of all," I tease.
"Oh you," and she comes towards me about to give me a motherly scolding slap.
"I'm kidding!  I'm kidding!" I half run away.  They all laugh again.

Being adopted into their circle of craftswomen would be an honor.  I need to earn that, and will do what it takes to earn their trust.