A Silly Story About Handwriting

I used to have recurring dreams.  Not the exact same dream, but the theme was identical.  I dreamt about tornadoes.  Always in the den in the home of my late grandparents, in my dreams I would look out across the fields of corn and watch tornadoes dance towards me.  Some were pastel pink, blue, and mint green.  Once I stood in one looking up at the wind around me.  Never scared, I loved these dreams.  I was in awe (I still am) of their power and grace.  These tornadoes did not destroy.

A suggestion I analyze my dreams led me to a bookstore where I combed through dream dictionaries trying to find meaning.  All the books offered the same explanation:  trauma in my life, crises, extreme emotions, impending disasters.

Please.  Dreaming about tornadoes was a gift.  I felt no tension, upcoming temper tantrum, or doom and gloom on the horizon.  Quite the contrary.  I loved waking up after seeing tornadoes in my sleep.  I felt calm.  Happy.  In my dreams, tornadoes were good.

Which is why I stopped reading silly dream dictionaries.  I didn't agree.  They were wrong.  My dreams.  My rules.

Reading somewhere recently that handwriting filled with loops indicated sociopathic tendencies, I was reminded of these dream dictionaries.  Allow me to share a story.

Because banks in Japan are generally rigid with rules I don't always understand, I opened an account with a branch of a US-based bank.  Here my signature was enough to open an account whereas Japanese banks require a registered stamp.  I have one of these stamps but I don't always know where it is, making it more of a challenge to go to the counter and beg for mercy to access my account without the proper proof of who I am.  (The stamp proves I'm me.  Not my ID.  Don't ask.)

I recently went back to the branch office of this US-based bank to change my address.  I showed proof of who I am and signed on the dotted line.  I handed the paper back to the teller who looks at it, then at the computer screen, then back to me.

"Your signatures don't match," he says.
"What signatures?" I ask because this doesn't make sense.
"Your signature here," and he points to where I just signed, "and here," now pointing to the computer screen.
I'm tempted to ask, "So?  You know it's me," but I don't.  Here's why.

I am one of these people whose signature changes with my mood.  Some days my writing is illegible.  Other days I have big loops for the "y" in my name.  Still other days the "a" and "m" are angular.  Today it's a combination of the above.  The point is, the my signature today does not look like the one I offered when I opened the account.  My mood today?  Okay.  I'm in a hurry.  I'm hungry.  Not cranky.  Generally good.  This leads to a slightly illegible, loopy "y" and pointy "a" and "m".  So then, what was my mood when I opened the account?  How the hell am I supposed to remember this?

Evidently, this hand-writing-changing-with-moods thing is not all that common.  All around me are people whose signature has remained the same for years:  my parents, husband, son.  I'm baffled by this.  They're baffled by me.

I think through all this as I contemplate what to say to the man in front of me.  I finally decide on what seems to me the simplest answer.

"May I see my original signature?"
"Ah, sorry.  No."
I laughed.
I did.
He didn't.
Fine.

"Okay.  Let me try again."  I take a piece of paper from the small tablet in front of me and sign it not all that differently.
"Here.  Try this."
He takes the sheet, looks at it, glances up at the screen, and handing it back to me, says, "Sorry.  No."

You've got to be kidding me.
"Okay.  Fine."
I completely change my signature to the one I use when I'm annoyed and hand that to him.
"Closer," he says.
I am not amused.
"What's different?" I ask.  "And, why can't I see my signature on your screen?  You've seen my photo ID.  You know I am who I say I am."
"Yes, I'm sorry.  But, we need your signatures to match."
Of course.

I sit back.  Here is the first time my changing-by-my-moods handwriting has gotten me in trouble.  Don't other people have this problem?  Why doesn't my husband's handwriting ever change?  And, what about this "loopy handwriting indicates sociopathic tendencies" article I just read?  Am I weird?  I really don't remember how I signed my name over a year ago, much less the mood I was in on that day.  I'm actually stumped.

I lean in to the counter.
"Look," I say.  "I don't remember how I signed my name a year ago.  I don't know what to do."
The man in front of me sighs, exasperated by this foreign woman whose handwriting doesn't match.
"Try again," he says, handing me another slip of paper.  I am close to yanking it out of his hand but don't.  I slowly sign my three names, a deliberate attempt to let my handwriting express my complete and utter annoyance.  He doesn't get it, of course.

I slide it across the table and sit back again, crossing my arms across my chest in defiance.  This is a challenge.  He takes a pen out of his drawer and circles two names from the first sheet and one from the second.
"This combination," he says.  "Copy these two from this paper and this one from the other."

Not feeling cooperative anymore, I take out my phone and snap photos of the two sheets with circled names.  I now have a record of how I must sign my name at this bank.  How I wish they would just let me use my stamp.

Signing again, looking at each circle and copying carefully I am done.  I pass.  Joy.

Annoyed with the bank, I leave with the thought it's that article that really nags at me.  There is no way loopy handwriting means I'm a sociopath.  I refuse to believe this article which surely was written by the same person who wrote that dream dictionary.  Careful what you read, people.  It might just ruin your mood, and we all know where that leads.

Signed,

Amya

Mad Men Japan Style

Of course there are exceptions.  Don't get all wound up over gross generalizations.  I'm trying to make a point. 

There is a distinct time gap between Tohoku, the northern portion of honshu island, and Tokyo. 
Tokyo sprawls.  It seemingly never ends:  blinking lights, cars, billboards, noise, buildings, trains, people.  Tohoku is quaint, remote, quiet (frogs and crickets at night), at times provincial, small towns dotting coastlines and hills. 

Culturally, also, there are major differences.  Tokyo juxtaposes the old and modern as if it was meant to be a city that eats contradictions in an ice cream sundae.  It's normal.  It's good.  It's no big deal.  Ultra-modern buildings and cutting edge technology give birth to new ideas, art, designs, and landscapes because, these are after all, ingredients for the sundae.  Alongside this metropolis of glass and steel stand the shrines tucked between two mega-, modern buildings.  Temples, rickety homes, gardens, dilapidated wooden structures coexist with the gleaming, shiny post-modern structures.  It works.  This is Tokyo.

Tohoku by contrast is still in the 1960s.  It's Mad Men to today's Manhattan.  Social norms haven't changed with the times.  Time moves on but ideas haven't.

For the most part. 

Something about this hit me today as I rode up the elevator in one of Tokyo's most high-end and modern buildings to attend an meeting.  Fourteen students from Takata High School are in Tokyo this week (spring break) for an internship/home stay experience.  The Canadian Chamber of Commerce in Japan has kindly sponsored students for the second year.  How grateful am I?  Let me count the ways in which this act matters.

First, I rode the elevator wit a girl and her host-grandmother.  The student faced the doors of the elevator.  She looked up at the mirrored ceiling.  She watched the people get off the elevator.  She pressed buttons.  It was when she turned around to face her host during a bilingual announcement, "floor fifteen" in English and Japanese that I truly got it.  Her grin was priceless.  She was giddy.  There are no bilingual elevators I know of in Iwate.  Certainly not in Rikuzentakata.  Here is a first.

Second, as the host companies and host families introduced themselves, half spoke in accented English, half spoke in English and Japanese.  Here are different ethnic groups, languages, nationalities represented in one room, all to host these students.  This is normal here. 

Third, with the announcement of the party that will be held on Thursday night came an expectation.  "You've got four days.  Your English will be good by Thursday night, yes?"  The students' reactions varied. 
"Who, me?"
"What?"
Disbelief.
Pressure.
Panic.

"Oh, come on," I said.  "You've got four days.  Your young.  You'll hear English this whole week.  You'll be surprised what your ears will pick up."  Most are wary.  I smile.  "Trust me."

If Tohoku today is like Mad Men, Japan style, then I've thrown these fourteen students forward by 50 years into a culture familiar enough yet vastly different.  Seeing these same students on Thursday will be the answer on how they fared.

Grow.  Believe.  Try.

On Girls Day: An Apology To My Non-existent Daughter, and Wishes For My "Adopted" Daughter

I was cheated.  All I wanted for girls day in Japan was a set of hina ningyo.  Celebrated on March 3rd with a seven-tier stand of the most beautiful dolls any girl could hope for, I coveted this graceful doll set.  All my girl friends had them.  All of my girl friends had them.  Not me.  I am forever scared.  My parents did me a great disservice.  Send me a box of Band-Aids.

Why wouldn't they buy me these dolls?  Did they not love me?  Did I not deserve to be celebrated along with all the other girls in Japan?  Why not?  Why not?  Pretty please.

My parents answered with a very simple and powerful answer.  "We're not spending thousands of dollars on dolls."

Yes, these dolls really do cost thousands of dollars.  They're just dolls.  Dolls every girl wants, but in the end they're just dolls.  It wasn't about deserving these beauties.  It was simple math.  I get that now.  Many, many years later, I get that now.

I do not have a daughter.  I wanted one, not in place of our son, but in addition to him.  For many reasons we didn't.  I will take this regret to my grave.  Which is why I've placed a very special order with my son.  "Give me a grandbaby girl."  Specifically, a red head.  More specifically, a red haired girl with bouncing ringlets and gray eyes.  I've seen the one I want.  She walks hand-in-hand with her grandfather down the sidewalk in our city outside of Boston. 

"That one," I've said to my son seeing her again as we drive through town one day.  "I want that one."
"I'll see what I can do," he's promised, laughing.  "But, I doubt I can get you that specific girl.  She seems to belong to someone already.  Careful what you say.  You sound like a stalker."
"Please," I say.  "Don't be so dramatic."
I sighed loudly.  Whatever.  My son laughs, again.  I do, too.  Never mind the fact research shows both parents need red haired genes in order to produce a red-haired baby, and neither my side or my husband's family has anyone who matches this requirement.  A girl can dream.  I'm hoping for a miracle.

Had we been blessed with a daughter would I have bought her a set of hina dolls?  No.  I'm firmly in my parents camp.  I would never have spent thousands of dollars on dolls.  Why then do I chide my parents for depriving me?  No good reason, I suppose.  I wasn't then, and am not now very good at taking "NO" for an answer.  I wanted these dolls.  It was as simple as that.

Instead of the beautiful display of real hina dolls we made our own.  This was torture to the seven-year old me as they were in no way a replacement for the real thing.  My mother and I would drain two eggs, let them dry over night, and fold origami kimonos for the eggs that would become the prince and princess.  I would then proceed to paint faces on the eggs.  Every year I would crush one with an, "Oops.  I guess you'll have to buy me the real ones now" line which was never resulted in the purchase I desperately hoped for.  Oh well.  I tried.  I truly did.

While I do not have a daughter, I have informally adopted many.  We have no signed papers but just an understanding.  I had to send a rather terse e-mail to one of my daughters recently.  She botched something and it was my job to inform and guide her through the fix.

This daughter lost her real mother in the tsunami three years ago.  She was 17 at the time.  A nursing student now, she's trying to move on.

She called me 15 minutes after I sent the e-mail.  We talked about its content.  She explained.  I listened.
"I need to tell you something," she said towards the end of our phone call.
"What is it?"
"I've been," and she pauses, "I've been diagnosed with depression."
I don't speak.
"I'm getting treatment."
"I'm glad," I say.
"I'm not excusing what I did, but in hindsight, I realize I should never have done that project.  I wasn't in a good place.  I should have turned it down."

She talks some more, her voice cracking in some spots.  I try to keep mine steady.  I tell her to call me any time she needs to.  I tell her I will always be there for her.  I silently curse the Japanese mental health care system again, the one that keeps people shut up about their trauma lest they become stigmatized as "mentally ill".  I tell her I'm proud of her.  I tell her she's brave.  I ask if I can help.

As a child I prayed my parents would change their minds about purchasing hina dolls.  As an adult I pray for my daughter with depression.  Girls can survive being denied dolls.  I'm proof.  Don't pray for me that magically I'll see dolls on my front door step tomorrow.  I'll be fine living without.  If you do pray, if you believe in asking for help from whatever deity you work with, please pray for my daughter.  Light a candle.  Sing.  Dance.  Send good vibes.

My daughter and I ended our chat with a promise.
"If I'm still living in Japan when I'm old, I want you to take care of me," I say.
She laughs.  "You'll be a handful," she says.
"Of course I will," I say.
"I'll try."
"I don't like needles," I say to her, and laugh.
"We'll figure something out."
"Promise?"
"I promise."